#16
|
||||
|
||||
Quote:
Gibson’s Gibson’s are fine guitar’s, though.
__________________
1952 Martin 0-18 1977 Gurian S3R3H with Nashville strings 2018 Martin HD-28E, Fishman Aura VT Enhance 2019 Martin D-18, LR Baggs Element VTC 2021 Gibson 50s J-45 Original, LR Baggs Element VTC ___________ 1981 Ovation Magnum III bass 2012 Höfner Ignition violin ("Beatle") bass |
#17
|
|||
|
|||
Quote:
I agree with you on this. I have been playing Gibsons for over 45 years. Everything else feels different to me, but none of the acoustics bother me.
__________________
Gibson J-45 Koa Gibson LG-0 Larrivee OM-40R Martin D-41 Martin 000-18 |
#18
|
|||
|
|||
14 to 26" compound. That's what Collings give me.
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#19
|
|||
|
|||
It's not as important to me as I used to think - probably helps that I've gotten away from reading about guitars online too much, haha. I have a range of radii in my collection. Some are flat - I notice those but I find them easy to adjust to. The nicer guitars I have seem to be in a 14-16 range.
I do have one that takes some getting used to, a wartime Epiphone archtop with a radius that's probably less than 10, with a 1 5/8" nut to boot. That one takes a few minutes to warm up to. I find that I do adjust, but it does force a slight change to how my left hand works since I'm so used to flatter stuff. I don't think I'd be a fan of old Fender necks.
__________________
Proud owner of old Yamahas, Guilds, NYC Epiphones, tweaked Harmony's, and other bottom-feeder instruments |
#20
|
||||
|
||||
I’m not overly fussy here as long as it’s not too flat.
But if you force me to choose, I’ll take the Gibson 12” every time.
__________________
Merrill | Martin | Collings | Gibson |
#21
|
|||
|
|||
I voted other since I know that my 4 main guitars have compound radii. Now, what measurements they are, I haven't a clue. They are all extremely comfortable to play and sound wonderful so I have no need to get the exact info on that spec.
Best, Jayne |
#22
|
|||
|
|||
All you Eastman and Epiphone players are skewing the results. Everyone knows 16"is the one.
|
#23
|
|||
|
|||
Anything between 12" and infinity is fine with me.
__________________
Yamaha LJ56 & LS36, Furch Blue OM-MM, Cordoba C5, Yamaha RS502T, PRS Santana SE, Boss SY-1000 CG3 Tuning - YouTube - Bandcamp - Soundcloud - Gas Giants Podcast - Blog |
#24
|
|||
|
|||
I like flat (no radius) but I'm OK with 16 inch radius.
Playing classical many years ago crystallized my preference. Getting lower action is easier with a flatter fretboard.
__________________
-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#25
|
|||
|
|||
Of course it depends on what you play, and what your playing style is. For classical style, flat is best for me. In fact I just had a carbon guitar with a 16" radius planed to 34" (very nearly flat) at some expense but it was a definite improvement.
|