Quote:
Originally Posted by dragonfly66
I've played some maple guitars (all likely under $700) that I found way too harsh for me. I finally played a 614 and thought, "Wow, this sounds nice." I've stayed away from maple since I've heard that is a one trick pony for cutting through the mix in a band. I've heard that maple doesn't have a lot of overtones and thus isn't all that great for fingerstyle.
So maple owners, can a maple guitar be a good all-around guitar or your only guitar?
Are there any other myths about maple guitars that you can squash here?
|
Maple works great with 12-strings. I have two maple 12s -- a Taylor and Guild jumbo.
I don't know anything about cutting through the mix, but I've been told for recording that maple's dry sound is very good for clarity. Frankly, the un-mic'd sound of my maples appeals to me just as-is. I tend to go to rosewood or mahogany most of the time, but maple is a wonderful change of pace.
Maple can also be exceptionally beautiful (and Taylor knows this well). The figuring and 3-D effects in the natural wood are just uncanny, and also maple takes bursts beautifully well. Since I love to show off.... Look at the quilted maple on my 655:
__________________
Guild: 2006 F-512 (Tacoma), 2007 GSR F-412 (Tacoma), 2010 F-212XL STD (New Hartford), 2013 Orpheum SHRW 12-string (New Hartford), 2013 GSR F-40
Taylor: 1984 655 (Lemon Grove)
Martin: 1970 D-12-20 (Nazareth)
Ibanez: 1980 AW-75 (Owari Asahi), 1982 M310 Maple series, 2012 AWS1000ECE Artwood Studio (MIC)
Favilla: ~1960 C-5 classical (NYC)
|