04-24-2024, 09:04 PM
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Charter Member
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Join Date: Dec 2017
Posts: 1,292
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Quote:
Originally Posted by AH Acoustic
I have owned identical built guitars with Walnut and Rosewood.
A note about any recordings: listen with good headphones or speakers if at all possible.
What I can from my ownership of Walnut and Rosewood (Spruce for mine):
1. Walnut -- In addition to others' comments on characteristics, here are my observations about Walnut in my case:
- offers a transparent, distinct clarity to the strings (strong separation)
- rewarding and revealing of advanced technique skills
- responds dynamically and immediately to varying attack energy on the strings
- highly focused -- can be a positive when playing delicately, potentially risk of listener fatigue with longer sessions / when playing with energy
- strong, throaty bass response with medium-long sustain
- offers a mystical tone with phosphor strings, with just a moderate overtone content
- notes strike the ear with immediacy and punch, some might say 'brightness', but I would say it is the speed of response that I can most easily pick out
- consider contacting Marc Beneteau also if you are contemplating a custom baritone (see video)
Here's a Walnut Marc Beneteau baritone showcasing our own Dustin Furlow's incredible original:
Also, a Lowden Baritone played by our own SuperB:
And a Lowden Walnut Baritone at SoundPure:
And a couple more:
2. Rosewood -- My observations about Rosewood in my case: - if going custom, consider all of the rosewood varieties that Lowden offers -- for example the species used in the Pierre Bensusan signature models like Honduran or Guatemalan, which are voiced for clarity and string balance, or Chechen, in addition to trying EIR
- robust, yet smooth long sustaining low notes
- enchanting sweetness
- responds with a slight forgiveness to attack dynamics
- relativey longer note sustain in mid range - notes linger
- produces an overall slightly softer listening experience, even with trebles
- rarely fatiguing in longer listening sessions
- notes bloom into life
- presence of overtones dependent on string selection
Here's a Rosewood baritone currently at Guitar Gallery which has some high quality recordings audio and video on their website (not affiliated):
Hope this helps -- enjoy the search!
All the best,
a.h.
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Thanks so much! All the baritones in your video have me wondering how low I’ll be able to tune this thing. It’ll be about 26.75” bass scale, and I might put a .060 sixth string on there. I think it should handle down to B pretty nicely.
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