View Single Post
  #138  
Old 12-23-2023, 05:46 PM
gfirob gfirob is offline
Registered User
 
Join Date: Mar 2017
Location: Central Vermont
Posts: 1,294
Default

First, I have a chip on my shoulder about Gruhn since he sold me a terrible ’40’s Martin D28 once. A very bad experience. So that may color my opinion of the whole project.

But I’m afraid I think these things are just butt ugly. I am (and a lot of players are) fairly traditional in our vision of what makes a guitar attractive, and I love the way guitars look. I leave mine out on their stands all the time because I think they are beautiful. The fact that a lot of builders are making copies of their older guitars suggests that a lot of people yearn for that pre-war esthetic. I might forgive it the off-set sound hole if the entire instrument just didn’t look (to me) awkward. And the headstock logo is just dreadful. That you can go buy a used Tacoma Chief all day for less than a thousand dollars is another issue.

I don’t think the market is going to embrace these things for that kind of money, celebrity players and all.
__________________
2003 Martin OM-42, K&K's
1932 National Style O, K&K's
1930 National Style 1 tricone Square-neck
1951 Rickenbacker Panda lap steel
2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's
1957 Kay K-27 X-braced jumbo, K&K's
1967 Gretsch 6120 Chet Atkins Nashville
2014 Gold Tone WL-250, Whyte Lade banjo
2024 Mahogany Weissenborn, Jack Stepick

Ear Trumpet Labs Edwina
Tonedexter
Reply With Quote