Quote:
Originally Posted by sinistral
One thing I love about Max Spohn’s guitars is that, even without any logos, you can look at a rosette or those braces and know instantly that you’re looking at one of his guitars.
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I quite agree that his rosette is Max's calling card, especially in the absence of a headstock logo. But, it is also interesting to hear that his style of carving braces is also a signature feature. They surely are elegant.
David